Thursday, March 25, 2010
The Tournament of Novels
The Tournament of Novels
Thursday, March 25, 2010, 9:00 AM
Joe Carter
Did you miss out on the NCAA Basketball tournament because you were reading Middlemarch? Have you ever argued with friends about the merits of Pale Fire versus Gravity’s Rainbow? Then this tournament is for you.
Sixty-four novels compete in a six round competition to determine the Greatest Novel of All Time. Each round of voting, one round per day for the next six weekdays, will begin at 9:00 am and end at midnight.
Choose your favorites from the selection below. Be sure to check back every day to see the updated brackets and vote in the next round.
Go to First Things to vote.
Whistling while you work
I’m a writer/editor. Yes, you say, I know. It’s on your e-mail, it’s on your website, it’s on your blog.
But what I’m trying to say is I’m a writer first and an editor second. When I’m writing, I often feel as if I should pay the client for the fun I’m having. (and, no, I don’t intend to start doing that anytime soon.)
Editing, however, is a different chapter in the freelance life. Though I am proficient at it and have several long-time clients who come to me only for editing, it is just not my favorite thing. The know-it-all part of me loves telling clients rules like, “Spell out the numbers one through nine and use numerals for 10 up. Unless, of course, the number begins the sentence, in which case you spell it out, fill out the dictionary form in triplicate, file it with the grammar police no later than noon on Wednesday, and prick your thumb with blood no later than 24 hours after that.” Okay, I’m kidding about the last parts. But English grammar and punctuation is a murky cave, filled with many narrow tunnels and twisting paths and I enjoy guiding people through that.
Nonetheless, I don’t get the charge I get out of writing, the creative juice-up, the feeling that this is way too much fun.
And that brings me back to my point at long last: which is, every job has its share of chores. I’ve got more editing projects right now than I have writing projects. But I’ve never been one to turn down work, and, times being what they are, I’m even less inclined to do so now.
So, okay, I’m doing more of my second-favorite part of the job right now than my favorite. It is still a part of this job I have loved for 13 (yes, you use numerals for that) years. Can I say that again? Thirteen (catch that?) years. So, if I occasionally have to do editing, which is my second-favorite thing, or bookkeeping, which is very high on the list of things I hate, or filing, just above bookkeeping on the list, well, I still count as one of those people who whistles while she works.
My mother is a great job coach, and she’s always telling me, “No job is perfect.” To love what you do, though, well, that makes everything perfect. That’s what I wish for everyone reading this—work you love, even if you don’t love all of it equally.
Friday, March 19, 2010
The intersection of art and utility
I went to New York City over a long weekend recently to see the Bauhaus exhibit at the Museum of Modern Art. Here’s what struck me most: It was practical and useful. And it was art. The movement brought together painters, graphic designers, furniture makers, weavers, architects, and more to not only create art but to figure out how to make art and craft available to everyone. The Bauhaus school worked on mass production techniques among other things. I was completely fascinated.
And I realized that being able to create for money is one of the things l like most about being a freelance writer. That sounds crass but it isn’t meant that way.
I love getting paid to write and I like knowing that what I write for the most part is useful or for a good cause. It’s fun to figure out how I can use words to convey needed information or to draw someone in to what I’m writing or to teach someone something she didn’t know before. And then I get a check and I can pay bills.
And that’s what drew me to the Bauhaus exhibit, that the Bauhaus artists managed to combine utility and beauty. Even their class schedules were a work of art.
Where is the intersection of art and utility in your work life?
Wednesday, March 17, 2010
Work hard and be nice to people
Work hard and be nice to people (and animals).
I’m going to put this on a bumper sticker. No need to turn this into an essay when those nine words will do.
Lesson #3 in the freelance writing life: Concision rules.
Wednesday, March 10, 2010
From the capital city to charm city
For a freelancer, where she lives is where she works. It makes the choice of home doubly important. And as someone who moved regularly throughout her childhood, I’m fascinated by what place means, especially for a writer. For so many of the writers I’ve read, their sense of place, their identification with it, and their ability to write about it as if it were a second skin has contributed to the quality of their writing. Perhaps one of the most famous examples is Faulkner. Another writer I love who seems to have a deep familiarity with place is Marilynne Robinson. If you haven’t read any of her novels, get thee to a bookstore posthaste and pick up Gilead or Home (also Housekeeping though that one doesn’t give the reader a sense of place the way the other two do). Delicious on so many levels.
For most of my freelancing career and for many years before that, I lived in Washington, DC, in the Adams Morgan neighborhood where I first rented a very cozy efficiency apartment that overlooked all the drama that happens on Columbia Road, Adams Morgan’s main thoroughfare. Including but not limited to the Communist May Day Parade, Adams Morgan Day, muggings, and many many honking horns, blaring sirens, and loud voices. I loved it all. The noise rarely bothered me. It was the big canvas to my little life.
Still loving the neighborhood, I bought a one-bedroom apartment on a much quieter and lovely back street, Lanier Place. After years of noise, I didn’t realize how serene quiet could be. I could see the Washington Cathedral from my living room and bedroom windows and enjoyed many a glorious sunset.
After a decade in that apartment with its great neighbors, I decided to move even further away than a block. I wanted a change of scene, a wake-up call out of my comfortable rut. I found it in a move to Baltimore, a place that was very different from DC but not far from the friends I had made over 20 years. And Baltimore was far more affordable than DC so I could buy a little house with a little front yard, a tiny backyard (and an alley--I love alleys), and easy parking. If you know Adams Morgan, you know that all of its car-owning residents salivate over and dream about a parking space. Covered, uncovered, on the street or in a garage, whatever, any reserved space will do.
So here I am, three years later, ensconced in a middle-class neighborhood of white and black residents in North Baltimore, very near the old Memorial Stadium. I really like Baltimore. It’s gritty and charming, an irresistible combination in my eyes though I wouldn’t go so far as to say that it’s the “Greatest City in America” as certain bus stop benches throughout Baltimore proclaim.
Baltimore is like a most-loved sibling who has met up with hard times, maybe of her/his own making, maybe not. I love the way its long-time residents love the city. I love the quirkiness of its inhabitants (seen a John Waters movie lately? He knows Baltimoreans.) and the everyday practical way they view the world. Coming from heady, ambitious DC, this is refreshing if sometimes like having cold water thrown over your head. I feel more connected to reality in Baltimore and both more compassionate and more realistic about the issues we American citizens face, whoever we are, whether poor or rich, gay or straight, from the religious right or the religious left.
It wasn’t easy to leave DC. I grew up there—having moved there in my 20s and leaving in my 40s. A sort of adult childhood, a coming of age into urban living, profession, maturity (well, mostly, on that one). But moving to Baltimore has been like diving into a pool of cool water. Refreshing and a mind-opener. All of a sudden, I'm ready to see what else is out there. What might I learn from my next move? I look forward to an open road leading somewhere out of sight. Having that sense of adventure and possibility while also looking at the age of 50 is exhilarating. And scary as heck. Does one come without the other?
It's this possibility of surprise around the corner that has kept me freelancing for 13 years, and I'm delighted to have discovered I can have it in my whole life too. Here's to leaping!
Tuesday, March 2, 2010
On the evolution of language
On Facebook the other day, I referred to my “mentee,” a 13-year-old girl I have committed to mentoring through her high school graduation (and beyond as far as we’re both concerned). Two people popped up to comment. One said, “’Mentee’ is an abomination of language. A mentor is not one who ments; ‘Mentor’ is/was a proper Greek name. I prefer protégé as the word to describe that to which you refer.” Another agreed and referred me to Robert Coles’ The Call of Service, which has been added to my reading list.
Then another friend chimed in to say “…I believe all Greeks and Geeks should begin using it often. Why?"
How does a word get into a Merriam-Webster dictionary?"
The answer is simple: usage!”
It made me stop to ponder my use of language. I tend to be in the creative and practical camp, who, like the friend above, believes that usage trumps history. That language can and should evolve, that new words can breathe life into both the spoken and the written word.
I also believe in a formal and informal language so that what I write on Facebook, which I consider a virtual coffee klatsch, an over-the-back-fence chat, is more informal than what I write for publication, be it under my own name or for my clients.
I know there are many purists out there who will argue with me and I welcome that argument. Tell me what was wrong with using “mentee”? Should there be an informal and formal use of language? Are you allowed to write more casually on your personal Facebook page than on your organization’s website?
